the league of gentlemen episode 21. TUBBS & EDWARD
[ext. moorland, overlooking the town. A bird is singing. Two surveyors - MG
(as Mr Wint) and M1 (as Mr Kidd) - are busy at work with their theodolytes
and marker poles...]
MG This is it. Royston Vasey.
M1 These pictures don't do it justice, Mr Wint.
MG Ah, they do not, Mr Wint. But that's before...
[MG points towards the town, then jabs at the glossy brochure (titled "A NEW
ROAD FOR ROYSTON VASEY"
that M1's holding. It depicts blue skies and
sunshine, with a couple standing by their car, pointing to the town...]
MG ... and this - is after.
M1 Aye.
[pause as MG looks through the theodolyte, at an out-of-focus view of the
Local Shop, gradually sharpening the image...]
MG Aye-aye.
M1 What is it?
MG You tell me. That's not meant to be there.
[pause as M1 has a look through the device]
M1 Oh, aye. Well - it'll have to go, Mr Wint.
[they start to pack their equipment up]
MG I'm afraid it will, Mr Kidd. Shouldn't think it'll be a problem. I'm sure the
locals are friendly enough.
[ext. close-up of their wellington boots, as the two walk away. Unseen at
in the long grass at their feet, is a skull and a bobby's helmet (cue eerie
violin music)...]
[ext. track. MG and M1 are now some distance along it, making their way
to the shop. In the foreground is the road sign "WELCOME TO ROYSTON
VASEY - YOU'LL NEVER LEAVE!"...]
[INTRO, THEME MUSIC STARTS]
2. CHINNERY
[ext. T-junction. In the distance, high up on the moors, is the Local Shop.
MG (as Chinnery) is patting a child's spaniel on the head. RS (as Al) walks
past them, carrying a bunch of newspapers...]
MG Well... bye, then. Bye-bye.
[MG sets off down the road on his bicycle. Unknown to him, the mutt's lead
has become caught, and he's dragging the poor thing along behind him.
The distraught girl cries out after him, but he doesn't hear...]
G1 Stop! Stop! STOP! STOP!
[as the camera rises to the angel, overlooking the town, we see the two
little girls start to chase after MG, but he's pedalling too fast for them...]
3. IRIS & JUDEE
[ext. Iris's house, on a run-down estate. MG (as Iris) is coming down from
her maisonette. Detritius is scattered all over the place; rubbish, old
tyres, an abandoned car wreck. A girl is practising her handstands, a boy
(no older than four) is smoking a ciggy. MG chastises...]
MG Oi! I've told you before!
[... and snatches the butt away from him, then starts smoking it herself. The
boy pulls a face to her back, and starts urinating on an old rusty gate...]
4. BERNICE
[ext. bottle bank. As MG walks past, we see a Punch and Judy show being
played out from within! Sat nearby, is a small audience of one adult and
three children. RS (as Bernice) walks up, looks puzzled at the small
audience, drops a bottle in, and carries on her way. From inside we hear
an anguished cry of...]
F1 Ow! BASTARD!
[EPISODE TWO - THE ROAD TO ROYSTON VASEY]
5. POP, RICH & AL
[ext. news stand. A Royston Vasey Chronicle headline notice reads "TOWN TO
GET NEW ROAD". RS (as AL) is busy tending it. Another notice reads "ED
STEWART'S BREATH STINKS". A man walks up, and hands RS a flyer. RS
pins it up immediately. It has a picture of an old woman, and reads "LOST:
GRANDMA BRADLEY. ANSWERS TO THE NAME 'NANA'. PLEASE RING 01484
514717"]
6. THE DENTON FAMILY
[ext. Denton's residence. The net curtains twitch inside...]
[int. Denton's front room. It was MG (as Val) opening the curtains. RS (as
Ben) is asleep on the sofa, under an orange duvet]
MG Good morning, Benjamin!
RS (Mm-nn-rr...)
[MG whisks the duvet away, revealing RS in his underpants and vest - which
wakes him up sharply. He tries feebly to cover himself with his hands...]
RS Oh, er - morning, Aunty Val.
[SP (as Harvey) strides in, behind RS, and loudly enquires...]
SP Did you sleep all right?
[RS shrinks away slightly]
RS Oh - yes. Thanks.
[SP is studying the floor around RS. He's wearing a pair of white latex gloves,
and snapping away with a pair of plastic salad tongs...]
SP Any used tissues you need to dispose of?
[slight pause as RS looks incredulous. MG is busy dusting the plastic covers]
RS No!
MG How did you get on last night? Did you meet your friend?
[MG - who is also wearing a pair of latex gloves - moves RS forward so she
can dust behind his back]
RS No, I... I must've missed him.
[SP starts spraying detergent behind RS, causing him to cough at the mist...]
RS (Hack!) Actually... (hack!) I was wondering... (hack!) if I might give
him a ring, er... find out what happened.
[SP and RS freeze in their tracks. SP turns slowly round, and looks at MG.
MG shrugs her shoulders, then SP nods - just once - back at her...]
MG Of course you may. Whilst your staying with us, we want you to relax and
treat this place just like your own home.
[MG hands RS the phone. It's in the shape of a green plastic toad. RS
studies it for a moment, then flips down the yellow "mouth" to reveal the
keypad. SP suddenly holds a digit in the air, and commands...]
SP Just one moment!
[slight pause as SP retrieves something from the sideboard... it's a chess
timer, with two small analogue clocks on it. RS is not amused. SP flicks
one of the switches on top, and instructs...]
SP Go.
7. IRIS & JUDEE (cont.)
[ext. Judee's (large) house. MG (as Iris) is walking up to the front door,
stubbing her ciggy out on the Mannequin de Pis on the way. She lets
herself in, and greets RS (as Judee) coming down the stairs...]
MG Morning, Mrs Levenson.
[RS flicks her hair up and walks into the kitchen, picking up the newspaper]
RS Oh - there you are, Iris. Oh, I'm so glad I'm going away. It's going to be one
big building site around here, soon. Gangs of navvies whistling at women,
with their bums hanging out of their trousers.
[MG leans back out from the downstairs toilet, grinning...]
MG I know, Mrs Levenson!
RS I've cancelled the milk, the dogs offal, and my tarot woman. Well, hang
her! She didn't know I was going away, so she can't be up to much!
[a disinterested MG comes into the kitchen, and picks up the iron]
MG No, Mrs Levenson.
RS But the chicken man is coming round on Friday as usual, so don't forget.
[RS picks up her "Harvey Nichols" bags and walks down the hall to the living
room. We can still see MG ironing away in the background...]
RS Oh, don't you hate going away, Iris? There's so much you have to
remember! Jaeger suits, Gucci shoes, Chanel bag...
[MG holds up a skimpy pair of see-through frilly thongs...]
MG Shall I put these in to soak, Mrs Levenson?
RS Do you know Antigua, Iris?
MG Is he the chicken man?
RS No, love - Antigua. The place. In the Caribbean. Sapphire blue oceans,
cloudless sky...
[MG snorts a large one back, then spits it out on to the iron with a hiss!
In the living room, RS sits down amid her bags to read a travel brochure...]
RS Do you travel, Iris?
MG Well, we 'ad a week booked in Kendal, but...
RS I don't ask for much. But the carpet warehouse keeps Eddie working like a
black, so... we can only manage six or seven times a year.
[slight pause]
RS I don't know how some people get by without a break - do you, Iris?
With my schedule, I'm all passion spent by the time Ricki Lake comes on.
MG Well, me an' Ron take the dogs for a walk up by Plumpton Rocks when we
want to unwind.
RS Oh, but taste's a personal thing. I mean, look and you and Ron! I wouldn't
stone clad my house. It would look like a rotten filling in a mouthful of teeth.
[RS gets up and walks back into the kitchen. MG seems to be struggling to
move the iron around, which does not go unnoticed by RS...]
RS It's no wonder some people have to drink as much as they do. Oh, and be
careful with that nightie, dear. It cost more than UOK's catalogue.
[RS smiles sweetly, and walks out again. MG grimaces, then prises the
sticky iron away from the material...]
MG Yes, Mrs Levenson.
8. HENRY & ALLY
[int. video store. SP (as Ally) and RS (as Henry) are busy browsing...]
SP Um... we've thin motht o' thethe.
RS Have we?
SP Yeah.
[SP (who talks with a lisp, by the way), starts pointing some boxes out...]
SP Thin. Thin. Thin. Thin. Thin. Thin. Thin... oh, I've not thin that.
[SP picks "Seven" off the shelf]
RS Oh, I 'ave. It's really good.
SP Ith it? 'ow many killingth?
[pause as RS stops chewing a for moment, and states the obvious...]
RS Seven.
SP Aw, ith that all?
[SP disgustedly puts it back on the shelf]
RS It's the way that he does it. He kills one by gluttony, one by greedy, sexy,
ugly, sleepy... dopey an' bashful.
[slight pause before RS admits to himself...]
RS (Wan't that good.)
SP I don't like that Bradley Pitth, anyway.
RS No.
SP Too much acting.
9. TUBBS & EDWARD (cont.)
[ext. Local Shop. MG (as Mr Kidd) is approaching the door. He joins M1,
who is already inside. M1 points to the precious things on the counter
shelves...]
M1 'ere - look at these!
[M1 taps the top of one of the glass jars. Something inside it moves sharply,
causing them to spring back in alarm - but SP (as Tubbs) suddenly appears
behind them, barring their progress...]
SP Yes?
M1 Sorry, love. Are you, er... open?
SP Y-e-s!
[SP looks around, obviously in distress]
SP Can I help you at all?
MG You certainly can! I'm Mr Wint - this is Mr Kidd.
[M1 proffers his hand to SP, who recoils with a whimper...]
SP (Ooh!) Are you local?
MG Er, no. We're conducting a survey on behalf of P.Q. Construction, and we
need to serve you with these papers.
[MG holds out a bunch of papers for SP, who recoils in abject terror...]
SP Waargh! Woo! Wurgh!
MG It's, er, nothing to be concerned about. Just notification that we're
building a new road in your area.
SP NO ROAD! BAD!
[slight pause as SP dives between them, and goes behind the counter,
choking as she does so...]
SP THIS IS A LOCAL SHOP, FOR LOCAL PEOPLE! THERE'S NOTHING FOR YOU,
HERE!
[SP slaps her hand down on the counter, and looks away]
M1 Er - listen, love - we're a bit pushed. All you 'ave to do, is sign this, an' read
the document.
[slight pause as SP gazes in wonder at their yellow construction helmets]
SP Is that a crown you wear?
M1 This? It's just me 'elmet!
SP 'el-mit! (Tee-hee-hee!)
M1 Yes.
SP Can I touch it?
[SP reaches out, but M1 takes a step back]
MG We need to speak to our superiors. Perhaps if we could use your telephone?
SP Tefelome? Erm... tefelome...
[SP searches along the counter, then pulls out a snowstorm bubble...]
SP Is this one?
[M1 confides to MG, then emphasises to SP]
M1 (It's all right - I've got me mobile. Just needs chargin'. Huh!) Er, can you
show me where your points are?
[SP grins, opens her cardigan, and starts unbuttoning her shirt...]
M1 No, no! I didn't mean...
[SP starts screaming, then shouts...]
SP EDWARD! EDWARD!
[RS (as Edward) appears through the door blind]
RS HELLO, HELLO? WHAT'S ALL THIS SHOUTING? WE'LL HAVE NO TROUBLE,
HERE!
SP (Sob!) They're strangers!
RS Not local?
SP He wears a crown, and builds new road!
MG Look, there's been a misunderstanding. Your wife was...
RS Local?
MG ... over-reacting. We just need you to look at these proposals, that's all.
[MG puts the papers down on the counter for RS]
RS Look here, we don't NEED a NEW ROAD! This is a community. We don't
bother the outside world. We don't want it bothering us!
MG Sir - it'll be no bother, I promise you. Just sign this... and you'll never hear
from us again.
[pause as MG pushes the papers further towards RS. RS and SP look at each
other for a moment, then RS picks up a pen and signs the papers...]
RS You're sure?
M1 Absolutely. Besides (huh!), when the new road is laid, you'll be laughing!
(Huh!) Your shop'll be full o' people! (He-he-he-he-he!)
[RS and SP slowly look up in unison...]
10. CHINNERY (cont.)
[ext. Job Centre. A young boy is kicking a can up the pavement. Chinnery
comes cycling past, down the hill, still dragging (or rather, sliding) the
whining dog behind him. Over the speed bump...]
11. PAULINE, MICKEY & ROSS
[int. Job Centre. SP (as Pauline) is stood in front of her desk, holding her
clipboard and pens. The Sasco flip pad behind reads "DO NOT WRITE ON
THIS BOARD!" - underneath are the words "STUPID COW"]
SP Hokey-cokey-pig-in-a-pokey! Good morning, job seekers! Now - before I
begin - I know one of the best pens has gone missing.
[SP shakes the shoebox full of pens]
SP Can I have it back, please?
[pause as someone from the back throws it against the Sasco flip pad]
SP Thank you.
[SP picks the pen up, then wanders around over to RS (as Ross) and MG's (as
Mickey) table]
SP Now - as you're aware - today, we're going to be looking at your career
options. Some of you, like... Ross, here - will want to follow in your
father's footsteps, but you can't sign on forever. So instead, we're going
to be looking at S-A-L-E-S jobs...
[SP walks over to the other Sasco flip pad, which has SALEs written on it
vertically, with EXPEN-S-ES, A-CTION, TA-L-ENT, MON-E-Y and ri-s-k (as an
afterthought) written across it horizontally]
SP ... namely, how to sell this!
[SP waves a magazine in the air]
SP The Big Issue! Now, those of you not in the know, the Big Issue is... a
magazine. It's a bit like Bunty, but... written by tramps.
[SP comes over and perches on RS and MG's table]
SP Inside, it's got... stories... an' poems, an'... look - Mickey, love! Pictures!
[MG reaches out and tries to take it, but SP's too quick for him and stands
up again, holding the magazine out of MG's reach]
MG Blurgh!
RS Pauline, the Big Issue's for homeless people.
SP Mm.
M1 But we're unemployed!
SP That's right, Colin. An' you can earn a little bit o' money for yourselves,
by gettin' out there an' sellin' this to real people.
RS Oh, come off it! Just because we're on the dole, doesn't mean we're
stupid.
[pause as SP glowers at RS, thinking, then goes to up MG and softly asks...]
SP Mickey, love - what is the capital of France?
[pause as MG's face looks blank, then he smiles and offers...]
MG Wine!
[SP prods MG in the back, her case proven. RS hangs his head...]
SP Come on, Ross! On your feet! I need you for this exercise.
[RS gets up and goes over to join SP at the front of the group]
SP Now then, job seekers, I want you all to imagine - if you can - that we're
standin' on a very busy high street... er, I'm an attractive young housewife...
[slight pause as M2 at the front starts chuckling to himself - but stops after
receiving an icy scowl from SP...]
SP ... an' I want Ross here, to sell me this.
[SP slaps the magazine against RS's chest, then walks down the room]
SP In your own time. (Da-de-da-da da-da-da!)
[RS rolls up the magazine, then holds it in the air]
RS Big Issue!
SP Pa-thet-ic. "Big Issue!" Come on, Ross - I want to see you try!
[SP snaps her fingers several times, then comes back to the front]
SP (Do-di-do do-do-do-do!)
RS Big Issue! Er... help the homeless!
SP Ah - better, y'see? Now he's got my interest.
RS Help the homeless - it's only a pound.
SP Good. Watch how I'm startin' to pity him.
[SP chunters a couple of times]
RS D'you want a copy, then?
SP Ask me nicely.
[RS looks pained, but grudgingly asks...]
RS Do you want a copy, madam?
[SP looks pleased with her moment of power...]
SP Ask me... more nicely.
RS Oh, there's no such thing as "more nicely".
[SP starts walking away again...]
SP (Hm-mm-mm hm-mm-mm-mm!)
[RS walks after her]
RS All right - look, will you buy the Big Issue? It's for a good cause!
[slight pause as SP looks into the air, then gently commands...]
SP Beg me.
RS What?
SP You 'eard, Ross. Beg me. Come on, you need the money - I don't. Make me
feel superior.
RS That's no reason to buy it!
SP Beg me, Ross.
RS This isn't what you're supp-
SP Be a good little doggy an' beg me!
RS Your jobs supposed to be-
SP Come on! Sing for your supper! Beg, doggy, beg!
RS This has got nothing to do with-
SP Beg, doggy, beg!
RS YOUR JOBS SUPPOSED TO BE-
SP BEG ME, ROSS!
RS NO!
[slight pause]
RS NO! I WON'T!
[pause for a quick chunter from SP]
SP What?
RS I won't beg you, Pauline.
[pause as the other men all look down at their feet]
SP I see.
[SP holds her hand out, and RS slaps the rolled up magazine in it. A
surprisingly calm SP softly whispers...]
SP Sit down please, Ross.
[RS complies. SP slowly wafts over to RS and MG's table, and makes as if to
offer the magazine to MG to have a go - but at the last minute, uses it as
a club and WHACKS! an unsuspecting RS over the head with it...]
SP WELL PISS OFF, THEN!
[the others recoil at the sound of the impact. RS holds his head, groaning]
RS Aaah! Aaah! Aaah!
SP D'you want to 'ave a go - Mickey, love?
MG No!
[SP's personality forces a frightened MG to stand up]
SP Come on! Course ya do! Remember - we're in a High Street, I'm a
housewife, la-la-la-
MG Big Issue!
SP Big Issue? 'ow much is it?
MG A pound!
SP A pound? 'ave a FIVER! Y'SEE, ROSS? D'you see 'ow EASY it is? It's as
simple as Mickey!
[pause as RS cradles his head. SP is stood in front of him now, uttering...]
SP Oh, you're nothing - d'you know that? Worthless! Less than the (fn)it
on my shoes! I'm extendin' your restart by a month! An' then I'm
sending you on a whole series o' meaningless courses, an' then you're
gonna come back 'ERE...
[SP pokes the table top, then RS's back with the magazine]
SP ... an' I'm gonna RE-restart you!
[slight pause before SP warns the others, wandering among them,
gesturing and threatening each one in turn...]
SP AN' THE REST OF YOU? BUCK YOUR IDEAS UP! KNUCKLE DOWN!
[slight pause]
SP An' gimme those pens back!
[SP snatches the pens from each of them, and marches to the front. RS
watches her, still clutching the back of his head...]
12. POP, RICH & AL (cont.) / BARBARA
[START OF ADDITIONAL FOOTAGE]
[ext. "POP'S NEWS" news stand. MG (as Al) and RS (as Richie) - looking a
lot like Klingons(!) - are arguing. Note: It's actually JD reading Barbara's
lines in place of SP, which were to be added in post-production...]
MG Well?
RS What?
MG Pop wants to meet us at seven. What are you gonna tell him?
RS Leave it, Al!
[PH (as Barbara) walks over from her pink taxi, parked close by]
SP Hiya, lads. Where's your dad?
MG At the Cash 'n 'Carry. How are you, Barbara?
SP Not bad, thanks. You don't sell... women's things, do ya?
MG Like what?
SP Well - it's a bit embarassing, really - but... I'm on.
[slight pause]
RS "On"?
SP Yeah. I came on this morning. Time o' the month. That's why I need...
y'know.
[MG shakes his head]
MG No. Sorry, Barbara.
SP Oh, a'right. Who'd be a woman, eh?
RS But, I didn't think you'd had the operation yet?
SP I haven't. The doctor says it's psychosomatic. Woke up this mornin' with
me bed like a butcher's slab. Ta-ta!
[PH walks off camera. RS and MG continue to glare at each other, silently]
[END OF ADDITIONAL FOOTAGE]
[ext. news stand. RS and MG are still arguing]
RS Al, I'll pay for them. Let me pay for them.
MG It's not the money, is it? The money isn't important.
[MG is "magically" serving customer MG (as Les)]
MG Melody Maker, NME - that's £2.05, please mate.
MG Cheers. Ta-ta.
MG What's Pop always sayin'?
[slight pause]
RS "Principles over pounds."
MG Principles over pounds! There's a principle involved, here. That's why I've
gotta say somethin'.
[MG brings out another Chronicle notice board, with the headline "MIKE READ'S
BREATH IS BEAUTIFUL"]
13. IRIS & JUDEE (cont.)
[int. Judee's house. MG is carrying RS's bags downstairs into the kitchen,
where RS is sat at the kitchen table, reading glossy magazines...]
RS Oh, I'm wiped out. Can't wait to get on that plane. I suppose Eddie and I
are lucky. Must be hard for you, living on that estate.
[MG goes into the utility room and tends to the laundry]
RS Armies of young mum's with eczema and push-chairs - and the men!
With that many tattoos, and arms that look like lumps of Stilton. Eugh!
I'd be scared to pop me head 'round the door.
MG Well, we don't go out much. Ron prefers an early night.
[MG grins a knowing bad-toothed grin... RS tries to ignore the implication]
MG Ooh - them's nice panties, Mrs L!
[MG holds up a pair of scanties]
RS Thank you, Iris. Eddie got me them in Paris.
MG Course, I won't get expensive briefs.
RS Ooh! You should treat yourself from time to time.
MG Just I get through that many pairs. Ron pulling at them with his big fingers.
[slight pause as MG flashes another toothy grin towards RS]
RS Really. Have you packed Eddie's toilet bag?
MG I've given up wearin' anythin' in bed. There's no point, with Ron's libido
the way it is. He's like a lad o' nineteen sometimes!
RS Fancy. And I hope you buttoned his shirts before you packed them.
MG Five, six times a night. And the mornings! Ooh!
RS Yes, when Eddie and I were first married-
MG Oh, it's always been like that for us. Like a couple o' young kids in love.
Just gets better and better. He has me doin' things that would make a
whore blush!
[slight pause for another toothy grin. RS purses her lips]
RS Eddie sometimes wears nothing but his bathing trunks!
MG This way... that way... some of it barely legal! I'm lyin' there thinkin', "will
this pleasure never end?"
[a horn goes outside]
RS That'll be Barbara.
[RS gets up]
RS I have to go check in at the airport. Did I tell you we're flying club class?
And that doesn't mean you get a free chocolate biscuit.
[slight pause as RS hands MG a detergent spray]
RS Have a nice afternoon here, Iris. I'll see you in a fortnight.
[RS turns haughtily, and marches out the room. MG calls unconvincingly...]
MG Bye! Don't do anything I wouldn't do!
[the door slams. MG admits to herself...]
MG (That won't leave her many options.)
14. THE DENTON FAMILY (cont.)
[int. living room. RS (as Ben) enters from the hallway, and looks around. On
seeing nobody about, he pulls the frog-phone out of the sideboard drawer
with the sign "TELEPHONE" on it. He looks around furtively once more, then
punches some numbers. Behind him, MG (as Val, the white witch) comes gliding
into the dining room, with a regular handset to her ear...]
MG We'd prefer it if you'd wait 'til after six o'clock, Benjamin.
[RS looks up, puzzled, then looks behind him. MG glides back into the
kitchen, leaving RS seething...]
15. CHINNERY (cont.)
[ext. moors, looking down the track towards the local shop. Chinnery comes
cycling out from behind the camera, now dragging a bloody stump behind
him. Another dog comes running after him, and starts biting at it...]
16. TUBBS & EDWARD (cont.)
[ext. establishing shot of the Local Shop]
[int. Local Shop. RS is whittling a stick to a sharp point. Sobbing can be
heard off-camera from MG and M1...]
RS You see, Road Men? This... is a local shop.
[camera pans back to reveal a MG and M1 are now naked from the waist up,
save for their yellow helmets. They are bound together, back-to-back...]
RS The strangers you would bring would not understand us. Our customs,
our local ways.
[camera cuts to SP, who is perched on the counter, breast-feeding a piglet
that is dressed in white lace. SP's face is one of absolute bliss...]
MG Not... necessarily.
SP He said I could touch his helmet!
[slight pause as RS stares, aghast, at the hapless pair...]
SP If I showed him my points!
[RS holds the stick against M1's neck, threateningly...]
RS Is this true, Road Man?
[a panic-stricken M1 manages to bleat...]
M1 No!
[RS withdraws the stick, and walks over to the counter shelves]
RS Very well. You... heard the man, Tubbs?
[pause as SP sits there, suckling and rocking the piglet. RS spoons a ladle
of black tar out of a pot - much to MG's horror - and grins...]
RS Get undressed.
[SP throws the piglet behind the counter - with a loud squeal! - then opens
her cardigan, holds her foot against MG's leg, and starts rolling down her
right stocking, to frantic squeals - from the men, this time...]
17. HILARY, MAURICE & SAM
[int. butcher's shop. A cleaver comes swooshing down on a cut of meat. RS
(as Sam) comes through the door, letting a little old lady out first, to greet
MG (as Hilary)]
RS Room for a little 'un!
MG Afternoon, kiddo!
RS Hello, Hilary!
MG I see Fleur-de-Lees is closing down.
RS Oh, I know, I know.
MG That's your mates on the Council putting the rates up again.
[RS raises both hands, then browses the meat display. MG is busy sharpening
some knives]
RS Our hands are tied, Hilary! Our hands are tied!
MG What this town needs, is investment. What about that new road
you're always promising us?
RS I might 'ave some news next week - I can't say no more!
MG I know, Samuel - more than your jobs worth, eh?
[RS raises his left index finger to his noise, whilst pointing with his right to MG]
RS Ho-ho-ho-ho-ho!
[lengthy pause]
RS Have you got 'em?
[MG glances at the door]
MG Yup.
[MG reaches down behind the counter, and pulls out a lump of something wrapped in
a carrier bag and tied with rubber bands. Just then, the old lady walks back
through the door - causing MG to hurriedly replace the package under the counter
again. RS freezes in place...]
F1 I forgot me brolly!
MG Right!
[pause as F1 picks up her umbrella, then exits the shop once more. RS casts a
glance after her, as MG retrieves the parcel and places it on the counter]
MG Just come in. Very fresh.
[pause as RS looks guiltily at the parcel]
RS Usual... arrangement?
[pause]
MG Don't see why not.
[slight pause as RS sighs...]
RS Thing is, Hilary...
[RS picks up the parcel, then stares down at it in his hands]
RS ... I know it's wrong...
[slight pause]
RS ... it just tastes so good!
[with that, RS stuffs it inside his great coat, and marches out the door. MG
merely licks his lips, and continues sharpening his knives...]
18. POP, RICH & AL (cont.)
[ext. church. The missing "Nana Bradley" is perched on a window above the
porch, wearing a blue nightie and dressing gown. She whimpers a little,
then knocks at the window for attention - none appears...]
[ext. front of church. MG (as Al) and RS (as Richie) are walking past the
porch - neither of them see the old woman...]
MG A chain of newsagents, built up from one shop on a council estate.
[they walk past the church notice board, which has a poster on it that reads
"FIGHT TRUTH DECAY" and a picture of a squeazy toothpaste tube with the
words "THE BIBLE" written on it]
MG Five separate outlets, all in prime retailing sites. And a thriving booth at
the War Memorial? That didn't fall in Pop's lap - did it, Rich?
[camera pulls back to reveal the old woman on the porch, as dusk falls]
RS All right. I made a mistake!
[the two walk off camera. The old woman whimpers...]
F1 Where am I? Oh! Uh!
19. HENRY & ALLY (cont.)
[int. video store. The hapless pair are still browsing the racks]
RS Seen it, seen it, seen it, seen, seen - oh, I've not seen that.
[RS points to the one he means. SP stares at him, exclaiming...]
SP Black - an' - white?
RS Uh. Seen, seen, seen.
20. BARBARA
[ext. street. Bab's pink taxi approaches from the distance...]
SP To be honest, I think I prefer internal protection over towels, y'know.
[close up of PH's hairy legs and arms as (s)he's driving]
SP I mean, who wants to walk around with a great big mattress between
their legs all day?
[an Asian youth wearing a beret is in the back seat, looking uncomfortable]
M1 Just drop me off here, thanks.
SP Right-ho, mate. 'ave a nice day, then. Mind 'ow ya go. Ta-ta!
[the cab pulls up to drop M1 off. M2 comes out his front door to greet him]
M2 A'right, Shaq? Come in.
[M1 enters, closing the door - which has a flowery 70's motif lead window]
21. LES McQUEEN
[int. inside M2's living room. MG (as Les) is sat on the settee, listening to
headphones and playing air guitar. The room is a shrine to all things 70's...]
M2 'ave you met me dad?
M1 No.
[slight pause]
M2 Dad?
[no response from MG, who carries on miming]
M2 Dad!
[MG opens his eyes and looks up, removing the headphones]
M2 Dad, this is Shaq. Shaq, this is me dad.
[MG gets up to shakes hands with M1]
MG A'right? (This your pal, the pop star?)
M2 (Dad!)
[M2 puts his knuckles to M1's, then walks out the room, saying...]
M2 Won't be long.
M1 I'm in a band, yeah.
[M1 sits himself down on the settee]
MG It's a great life, is rock 'n' roll!
[slight pause as MG walks over to the sideboard]
MG 'spect our kid told ya. I used t'ave a band o' me own!
M1 Er...
[MG picks up an LP, with a large "Goodies" style font. It says "CREME
BRULEE - Just Desserts". Four guys in yellow suits are sat on a huge
mound of strawberry jelly, in the middle of a runway...]
MG Creme Brulee?
[slight pause]
MG 'ad a good run at it. Did Eurovision.
M1 "Eurovision song contest?"
MG Oh, yeah. Back in '81. Heats. Same year as Bucks Fizz won. I remember
sayin' to Jay Ashton, just before we went on, "This is where ya @!#$ yer
pants - in't it, Jay?"
[slight pause as M1 says nothing, just picks his fingers...]
MG Real good laugh about it. Right good sense o' humour!
[slight pause]
MG Eh - what d'you think o' that Gina G, Shaq?
M1 Er...
MG Rubbish, wan't it? Ordin'ry. I says to our Tom - it'll not win, that. It's
ordin'ry! Eurovision? You've got to communicate. Look at the Israeli's.
Years in the wilderness, all of a sudden, "Ah-ban-eh-bee-ah-ban-eh-beh!"
Genius. What's y'instrument, Shaq?
M1 At, er, it's mainly programming, you know? Drum loops, rhythms. Lot of
samplin'.
MG Oh, yeah. I tell you what were a good outfit.
[MG points to the framed album behind him on the wall]
MG Smokie. D'you remember them?
M1 No.
MG Fanstastic songs. Really well crafted. You should give 'em a listen. The
bassist runs a sixteen-track out by Castleford way. I go over quite a bit.
[pause M1 looks desperately round to see if M2's come back in yet]
MG I tell ya what, Shaq - I've got a tape 'ere o' some o' me songs! Ballads
mainly. Can 'ave a listen, if ya like!
M1 W-w-well, er-
MG I'm sure I've got one left somewhere.
[pause as MG pulls open a drawer in the sideboard, stuffed full of yellow C90
audio cassettes with "CREME BRULEE - ANOTHER HELPING" written on them.
By hand. He picks one out, then hands it out to M1...]
MG If there's owt on their that yer want, son - yer can 'ave it.
[M1's hands remain firmly in their pockets. MG waves it about a bit more]
MG Do it for nothing, if ya like!
[M1 shakes his head, and tries to say politely...]
M1 We... don't really do ballads.
MG Just take it. What 'arm can it do?
[M1 reluctantly reaches out and takes it off MG]
MG He-he! Let me know I an't lost it yet. Heh! Eh - then yer can 'ave a word
with your record company boss, an'... ask 'im if he remembers Creme Brulee.
Everyone knew me 'round 'ere. I'd walk in a urinal, an' 'eads would turn!
[M2 comes back in the room, with his jacket on]
M2 See ya later, dad.
MG Yeah.
[M1 stands up, relieved. He makes to offer MG his hand...]
M1 Nice to meet you, Mr McQueen.
[MG sees M1's arm coming forward, expecting a "knuckle" shake - but M1's
hand is open in the traditional manner. MG hurriedly switches...]
MG Good luck, son. God bless.
[M1 and M2 leave. MG confides to himself...]
MG It's a @!#$ business.
[MG suddenly notices something M1's left on the settee. It's a yellow C90
audio cassette... (cue sympathic audience coos of "Awww!"
]
MG You'll find out.
[pause as a sullen MG picks the tape up, and leaves the room]
22. TUBBS & EDWARD (cont.)
[int. Local shop. The two Road Men (MG and M1) are now tarred and
"floured". Both are screaming, as SP dances "naked" around them, wearing
only a lace shawl. RS is banging on his bongos, having a whale of a time.
SP suddenly leaps towards a terrified M1...]
23. POP, RICH & AL (cont.)
[ext. establishing shot of the warehouse at nightfall]
[int. warehouse. RS is sat on single chair in a clearing, as MG walks
around him (a la Tarantino)...]
MG Look around you. What's Pop's formula, Rich?
[pause]
RS D.P.I. equals S.I.N.
MG D.P.I. equals S.I.N.! Determination, plus Perspiration, plus Inspiration
equals Success In Newsagency!
RS YEAH, YEAH, YEAH!
MG Who was the first newsagent to charge for cards in the window on a
daily, rather than a weekly rate?
[slight pause]
RS Pop!
MG Pop! Who was the first, to have the VISION, to sell Ginsters' PASTIES in
a newsagency?
RS POP!
MG POP!
[slight pause]
MG We owe him, Rich. Now, are you gonna tell him - or am I?
RS PLEASE, AL!
MG It's your decision!
[slight pause as the camera swings round to reveal a silhoutted SP raising
his hand against the doorway. (Note: SP speaks thickly, with an unspecified
European accent...)]
SP Guess who's here, eh? He-he-he-he-hey! Where are-a my boys, eh?
Where are my BOYS? Come on - I take you both on, huh? Uh! Uh!
[SP playfully slaps RS and MG with his rolled up magazines]
SP Eh, come 'ere!
[SP drags them both to him, then kisses their heads in turn]
SP Hey, I got presents for the both of yous!
[SP unrolls the magazines - they're porno mags - and gives them to RS and MG]
SP Uh? He-he-he-he-he! Uh? He-he-he-he-he!
MG Er - thanks, Pop.
RS Thanks, Pop!
SP Eh, is OK. Is OK. So - Al - how are-a you, uh? The booth is doing
good? You know, I drive past on Saturday, there is a queue all the
way to the Gents!
MG Yeah - doing good, Pop.
SP Ah. And the cold cabinet? Cans, cartons - they selling well?
Because, you know, I wasn't sure about these Mars drinks.
MG No - they're doing fine, Pop.
[START OF ADDITIONAL FOOTAGE]
SP *Ah, good, good.* I love-a my boys! I LOVE-A MY BOYS!
[SP playfully grabs hold of RS around the neck]
RS How ya doin', Pop?
SP Eh, not so good, Richie. Not so good.
[SP clutches his heart]
SP I've been in one of my niggers, you know? My black moods, uh...
[END OF ADDITIONAL FOOTAGE]
SP *Ah, good. Good, eh?* But hey, I have good news for you, Richie!
Good news. As you know, your brother Al has made a great success
of his news booth by the war memorial.
[SP walks around behind MG and places a hand on his shoulder]
SP For many months now, I 'ave been searching for another site. It has
always-a been Pop's hambition... a BOOTH for each of my two beautiful
sons! M-wah! M-wah!
[pause as SP blows a kiss to both MG and RS in turn. SP then slowly wags
a finger to RS, beckoning him to come forward]
SP You know the key-cutting cubicle, by the indoor market?
[RS nods his head]
SP Well, a little birdy tell me the lease come up in two month!
RS Oh!
SP EH? IT'S PERFECT FOR YOU, RICHIE! PERFECT! THERE IS ROOM FOR
A FREEZER UNIT, A CHILL CABINET... an' you know what I'm thinkin'?
We keep the key-cutting MACHINE! Huh?
RS Oh, great!
SP Yeah, it could open up a whole new AREA for us! An' not just KEYS - no! -
SHOE laces, SHOE polish... maybe ONE DAY, we do repairs as well, eh?
[SP slaps his fist in his other hand]
SP Perhaps soon, you'll be more SUCCESSFUL than your brother, uh? Heh!
[SP goes over to stand behind MG once more, clasping his shoulders]
SP I even start you on the same-a wage...
MG Pop...
SP ... THREE POUND an hour! Now - what do you say, Richie?
[pause as both MG's and RS's face suddenly look serious...]
MG There was an incident...
RS Something happened yesterday morning, Pop. When I was... looking after
the booth for Al.
[pause]
SP Oo- what are you talking about?
[SP looks over first to MG then RS]
SP W-what do you mean, something khappen? WHAT khappen?
[MG sighs, then walks back to SP]
MG Rich was serving...
[SP violently slaps MG on the face, throwing him to the floor...]
SP RICHIE WILL TELL ME HIMSELF!
[a pained expression comes over RS's face]
SP Won't you, Richie?
[MG rises again, clutching his right eye]
SP I wanna hear from your lip, khwhat khappen.
[pause as the camera continues swinging around]
RS Wuh... it was nothing really, Pop.
SP Oh, "nothing really, Pop". "NOTHING REALLY, POP!" THEN WHY ARE YOU
SHITTING IN YOUR PANTIES, LIKE-A LITTLE MISS SMART-GUY, UH?
[SP does his patent "Mary Queen" hand movement under his chin]
SP Why don't you tell me what this "nothing" was?
[pause as MG nurses his eye, before RS finally admits...]
RS Some boys came.
[slight pause]
RS To the booth.
[slight pause]
RS One of them asked for a Snapple.
[slight pause]
RS And I.. had to turn my back, to... open the chiller.
[slight pause. SP half closes his eyes, guessing what's coming next...]
RS An' when I turned 'round again, they'd... taken all the Maverick bars.
[pause as SP's face looks like thunder. SP clamps his eyes shut, then
does a "Manning" (named after Bernard Manning, where he slaps his-
forehead with his open hand, then drags it down across his face)...]
SP Khow many?
[slight pause as SP looks like he's in pain]
RS Nine.
[SP's face grimaces, in even more pain, before hoarsely whispering...]
SP Nine. Nine, uh?
[SP looks at MG, who hangs his head, before turning back to RS]
SP Nine Maverick bars. An' you say this is nothing?
[SP starts to remove his thick leather belt]
SP THEN PERHAPS YOU THINK THAT THIS IS NOTHING, UH?
[SP whips the belt against the floor with a loud CRACK!]
MG OH, POP - NO!
SP WHY YOU DO THIS TO ME, RICHIE?
[RS starts walking away from SP, but SP follows him round]
SP WHY YOU DO THIS TO ME? ALL I WAN' IS TO MAKE TO A MAN! A
BOOTH OF YOUR OWN! BUT KHOW CAN I GIVE IT TO YOU, WHEN YOU
BEKHAIVE LIKE A CHILD! NO! LIKE A BAI-BY!
[SP has been busy wrapping the belt around his fist, and makes to punch
RS, who collapses on the seat, sobbing...]
SP IT WAS A CHILD THAT ROBBED YOU!
[slight pause as SP fails to deliver the punch]
SP Look at my FACE!
[pause as RS removes his hands from his face, and looks up at a tearful SP]
SP Look what you make Pop do!
[SP is sobbing now...]
SP You break-a my heart, Rich! YOU BREAK MY HEART!
[SP makes to strike, as RS cowers once more. MG grabs SP's arm...]
MG POP! Rich really is sorry for what he did!
[SP doesn't resist, and sobs a little more]
MG Why don't we, er, go for a walk - eh?
[SP lowers his arm, nodding]
SP Yeah - we go for a walk.
[SP grabs hold of MG by his neck]
SP Me an' you. Maybe... we talk about the key cutting cubicle, uh?
[slight pause as SP casts a half-glance back at RS, then points at MG]
SP You are my son. My only son.
[SP pushes MG aside, and shuffles away to the door. A crying RS looks up
from the seat at MG, who says nothing, and follows SP out the door.
RS reaches under the seat, pulls out a hold-all, and opens it. MG closes
the door, heavily...]
[START OF ADDITIONAL FOOTAGE]
[... as RS pulls out the nine maverick bars from the hold-all, and clutches
them, sobbing, and scrunches them up in turn, shouting...]
RS WELL, @!#$ YOU, POP!
[slight pause]
RS @!#$ YOU, POP!
[slight pause]
RS @!#$ YOU!
[RS throws the remainder down on the floor and hangs his head, sobbing...]
[END OF ADDITIONAL FOOTAGE]
24. THE DENTON FAMILY (cont.)
[int. hallway. SP is coming down the stairs, carrying "PET REPTILE" magazine]
SP BENJAMIN?
[SP enters the living room]
SP DID YOU PASS A SOLID INTO THE UPSTAIRS LAVATORY?
[slight pause as SP looks around]
SP BENJAMIN?
[pause as SP looks around - no one else is at home]
25. THE DENTON FAMILY (cont.) / CHINNERY (cont.)
[ext. moorland track, at dusk, above the town. RS (as Ben) is coming out of
a red telephone box as MG (as Chinnery) cycles past - dragging what looks
like little more than a chicken drumstick behind him now... RS strains to
make out what the hell it is as MG continues on down the track. A moment
later, a bugle horn sounds - and a pack of yelping hounds race past.
Closely followed by the rest of the Hunt on horseback...]
26. TUBBS & EDWARD (cont.)
[int. local shop. RS has an evil grin on his face, and is holding a large cleaver
in the air, as if to swing it down at any moment. He stalks over to the two
whimpering Road Men, as they try to lean away from him as far as they can]
M1 Oh! Oh, what are you gonna DO? Waargh! Aargh! Wuhh!
[pause - as RS lowers the cleaver, and cuts their bindings... the two men
can't believe it. RS points to the door with the cleaver, nodding, and
manically decrees...]
RS Go!
[the two Road Men need no further prompting, and flee the shop, shrieking
like girls. SP looks puzzled...]
SP Edward?
RS Don't worry, Tubbs! (Ha-ha!)
[SP retrieves a large crossbow from beneath the counter]
RS They won't get FAR! (A-ha-ha-ha-ha-ha!)
[RS chases after them. SP claps her hands, and bites into a large onion]
27. THE DENTON FAMILY (cont.)
[ext. moorland track. It is now night. RS is still in the telephone box]
RS Hi, Martin - it's me. I've been trying to ring you all day. Where are you?
I'm stuck in this @!#$-hole now, and I don't know what to do. Oh, I don't
suppose things could get any worse.
[at that moment, two half-naked tarred-and-floured men run past the phone
box, shrieking like madmen...]
RS Anyway, I'd better go. My uncle locks up the house at quarter past eight.
I'll call you tomorrow. Bye.
[RS exits the telephone box]
[int. Denton's kitchen. MG is listening intently to the speaking clock...]
MG At the third stroke, it will be eight fifteen... precisely. Pip-pip-pip!
[exactly on the third pip, MG flags her hand down to SP, who's waiting for
signal in the hallway. SP rapidly starts bolting the myriad locks... MG
is wringing her hands, as we see the shape of RS come to the front
door. He tries the handle, but it's locked... he stares through the glass
panels at SP, who merely turns, grinning from ear to ear, and walks back
up the hall, into the living room, and sits down on the settee. MG joins
SP after a moment, and they both hold hands...]
LS's Tip of the weekESSENTIAL OILS aren't essential unless you're an engine, a gearbox or a twat